Eliot, The Love Song of J. The irregular sprinkling of it at the end and throughout the middle is really characteristic of early Eliot. Self doubt and hesitation color this milquetoast's interrogation of himself. That's kind of a silly name, right. Interpretation of the Lovesong of J. Eliot does not portray in a very good light.
First, Eliot attains the extermination of his disposition by introducing the poetic method of a theatrical monologue. He is more like Polonius, a bumbling, sententious fool; he is educated but lacks achievement and fulfillment. He will never be more than a minor character in the world's drama. Also Eliot was appointed assistant editor of the Egoist in June 1917. Behind the model of Henry James, however indeed, behind James's Portrait of a Lady , is a nineteenth-century poetic mode of female portraiture.
Alfred Prufrock is not just the speaker of one of Eliot's poems. The epigraph from Inferno is what Eliot uses to show the reader that the poem is spoken, not as Prufrock would, but as what Prufrock would say if he were come back from another place, like Dante. However, his experiences of overwhelming confusion and spiritual disconnection are familiar to many modern people. Eliot uses techniques like pastiche and juxtaposition to make his points without having to argue them explicitly. A Profile of Twentieth-Century American Poetry. Cambridge: Cambridge University Press, 2003 , 99. This is where the modern period is because this period it is about love and personal experiences.
All this is given by Eliot's use of a passage by Dante, but without the context of the poem as a whole, looked back on, as it were, the epigraph makes little sense and seems out of place. Eliot uses the architecture of the three locations described in the text to explore parts of Prufrock's mind in the Freudian categories of id, ego, and super-ego; the city that is described becomes the Ego, the room where he encounters women his Id and the imagined ocean… 1135 Words 5 Pages Insecurity in T. Yet his personality is vague enough to embody universal concerns. This stylistic choice makes it difficult to determine exactly what is literal and what is symbolic. In The Love Song of J. He expresses feelings of estrangement from society throughout the poem, which suggests to readers that he has a very gloomy outlook on his life as a human being.
The Love Song of J. Prufrock is not just worried about scrutiny from women, but perhaps from all of society. S Eliot's The Love Song of J. It is about an introverted young boy who… 846 Words 4 Pages An Analysis of The Love Song of J. And the poem begins like this: Let us go then, you and I, When the evening is spread out against the sky Like a patient etherized upon a table; Let us go, through certain half-deserted streets, The muttering retreats Of restless nights in one-night cheap hotels And sawdust restaurants with oyster-shells I guess the oyster shells are a little bit of a Boston shout-out there. There is a systematic confusion of tenses and times in the poem, so that it is difficult to tell if certain images exist in past, present, future.
As Eliot grew older, and particularly after he converted to Christianity, his poetry changed. The poet puts forward his point of view in a very elusive manner rather than in a simple language. His negative view of the world, doubts about misunderstanding, fear of rejection, vanity and weakness are expressed by the poet in language, imagery and metaphor. Alfred Prufrock A well-written poem is built out of levels. It uses this beautiful imagery to describe this mundane thing, and that really is something that comes up throughout Prufrock but also throughout T. The poem starts out as a man that is idealistic about his feelings toward women.
Space must be exterior to the self if movement through it is to be more than the following of a tedious argument in the mind. Analysis Eliot attributed a great deal of his early style to the French Symbolists—Rimbaud, Baudelaire, Mallarmé, and Laforgue—whom he first encountered in college, in a book by Arthur Symons called The Symbolist Movement in Literature. As if to displace the central human object it does not visualize, the poem projects images of the body onto the landscape the sky, the streets, the fog , but these images, for all their marked intimation of sexuality, also avoid the designation of gender the muttering retreats of restless nights, the fog that rubs, licks, and lingers. If hesitation, inadequacy, and a lack of self-assertiveness are mortal sins, Prufrock deserves a place in Hell among those who fail to do either good evil; or maybe Eliot considers him a purveyor of false counsel In Prufrock's case, self-counsel and deserving of a spot in the 7th ring next to Guido. In the world Prufrock describes, though, no such sympathetic figure exists, and he must, therefore, be content with silent reflection.
The trait of Prufrock makes him a man with no concern of world, just living for passing a time. All of these repetitive phrases emphasize that narrator's utter inability to act or really do anything. Literature: Structure, Sound, and Sense, 1st edition. But since, up from these depths, no one has yet returned alive, if what I hear is true, I answer without fear of being shamed. At the time, it was deemed… 915 Words 4 Pages period, the atmosphere changed from the male perspective. Hillis Miller Prufrock's paralysis follows naturally from this subjectivizing of everything.